By Douglas Anderson
An entire diversity of yank writers have all in favour of photos of loved ones, family advantage, and the female or feminized hero. this significant new ebook examines the endurance and adaptability of such topics within the paintings of vintage writers from Ann Bradstreet via Jefferson and Franklin to Hawthorne, Melville, Whitman, and Emily Dickinson. with no minimizing the diversities that divide those figures, Anderson indicates the level to which, of their numerous conditions, they have been all dedicated to a typical enterprise--a social and cultural reconstruction according to the family values of the best inner most family.
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Additional resources for A House Undivided: Domesticity and Community in American Literature
33) Stanzas like these are not particularly unusual in Taylor's work, ingenuous as they are, and it would be a mistake to ascribe their peculiar charm either to the author's lack of poetic sophistication or (as Robert Daly suggests) to an extremely sophisticated suspicion of all metaphoric speech. One indirect way of asserting the inadequacies of the self- as we noted in Bradstreet's verse - is to make certain that one's imagery reflects the "inadequacy" of human vision in general. That, in part, is the purpose of Taylor's nearly comic pursuit of preposterous images.
There seems, at first, little struggle here. Bradstreet solicits a bit of tenderness for her "rambling brat" and concocts one or two clever (if disturbing) puns on printing "rags" and on her offspring's crippled "feet," but only in the closing lines does she suggest the striking model for her creative zeal: In this array, 'mongst vulgars mayst thou roam; In critics' hands, beware thou dost not come. And take thy way where yet thou art not known. If for thy father asked, say thou hadst none; And for thy mother - she, alas, is poor, Which caused her thus to send thee out of door.
The vocation of a poet, however, is almost inevitably an assertion of the individual sensibility, particularly as Bradstreet practiced it. She was the family elegist and spiritual counselor, the family solicitor with God in many of her verse prayers. Unless we are devoted antiquarians, we know very little indeed about those "public employments" for which Bradstreet's husband was so often absent, but Bradstreet's amorous verse letters to him are familiar to many modern readers. At some level she sensed the potential incitement to egotism that such power over feelings and over human memory could represent.