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By John Williams

In his nationwide e-book Award–winning novel Augustus, John Williams exposed the secrets and techniques of historic Rome. With Butcher’s Crossing, his fiercely clever, superbly written western, Williams dismantles the myths of contemporary America.

It is the 1870s, and may Andrews, fired up through Emerson to hunt “an unique relation to nature,” drops out of Harvard and heads west. He washes up in Butcher’s Crossing, a small Kansas city at the outskirts of nowhere. Butcher’s Crossing is filled with stressed males trying to find how you can earn a living and how one can waste it. sooner than lengthy Andrews moves up a friendship with one among them, a guy who regales Andrews with stories of enormous herds of buffalo, prepared for the taking, hidden away in a gorgeous valley deep within the Colorado Rockies. He convinces Andrews to affix in an day trip to trace the animals down. the adventure out is grueling, yet on the finish is a spot of paradisal richness. as soon as there, even if, the 3 males abandon themselves to an orgy of slaughter, so stuck up in killing buffalo that they lose all experience of time. wintry weather quickly overtakes them: they're snowed in. subsequent spring, half-insane with cabin fever, chilly, and starvation, they stagger again to Butcher’s Crossing to find an international as irremediably replaced as they've been.

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His future seemed bright, and his ambition was to succeed within the competitive, bourgeois American world, not to overhaul it. Career prospects would always bear significantly upon Melville’s writing, but his failure to translate his Pacific experience into a thoroughgoing social critique may also have had another cause. Charles R. ”38 The “startling solecism” Melville would later address in Pierre—“That while, as the grand condition of acceptance to God, Christianity calls upon all men to renounce this world; yet by all odds the most Mammonish parts of this world—Europe and America—are owned by none but professed Christian nations” (P )—was nowhere more evident than in Polynesia, where Euro-Americans were irresistibly extending their dominion.

It was in the context of sexual prerogative that Typee was particularly a revelation. Most Western travelers regarded the Marquesans as the comeliest of Polynesian peoples and “their eroticism” as “among the most elaborate”;19 yet beyond the remarkable beauty and voluptuousness of the natives, what impressed Melville was their unabashed innocence and want of sexual jealousy, along with a freedom from those frustrations and neuroses endemic to Western sexual and familial life. “There were no cross old women,” Melville observes, “no cruel step-dames, no withered spinsters, no love-sick maidens, no sour old bachelors, no inattentive husbands, no melancholy young men” (T ).

Career prospects would always bear significantly upon Melville’s writing, but his failure to translate his Pacific experience into a thoroughgoing social critique may also have had another cause. Charles R. ”38 The “startling solecism” Melville would later address in Pierre—“That while, as the grand condition of acceptance to God, Christianity calls upon all men to renounce this world; yet by all odds the most Mammonish parts of this world—Europe and America—are owned by none but professed Christian nations” (P )—was nowhere more evident than in Polynesia, where Euro-Americans were irresistibly extending their dominion.

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