Download Desiring Rome : male subjectivity and reading Ovid's Fasti by Richard J. King PDF

By Richard J. King

'During his final 20 years (ca. 2 BCE-17 CE), Ovid composed, yet by no means accomplished, his Fasti, an elegiac illustration of Rome's rites and fairs: basically six of twelve month-books stay. past students have claimed that this is often due both to Ovid's exile from Rome (which positioned him out of contact with the Roman literary international) otherwise his frustration over the Roman calendar's discontinuity. Drawing upon contemporary scholarship in gender reviews and Lacanian movie idea, Richard J. King analyzes this exilic incompletion as inviting the citizen male reader into what he calls an 'angular' or 'skewed' perspective, which interrogates the Roman hierarchical and male-dominated social order, insofar because it is reflected within the Roman calendar of rites and gala's. Ovid (already popular or even notorious because the composer of erotic poems and the Metamorphoses) does this via emulating the civic gesture of 'calendar presentation,' wherein upwardly cellular grownup male voters brought on calendars to be carved in stone and organize in conspicuous public locations to mirror the city's delight and to construct their very own status as public figures. during this examine, King discusses the Fasti as Ovid's socially strategic use of this gesture. Interrupted by means of exile and choked with various motives of Roman gala's, Ovid's poetic model manifests a sort whose brokenness reviews at the fractured id of the exiled poet and citizen matters mostly in an imperial order ambivalent towards its maximum poet.' 'Desiring Rome expands upon fresh reputation of the Fasti's centrality to early imperial politics by way of situating the poem's 'failure' inside broader negotiations of id among early imperial citizen-subjects and the cultural ideology of Roman manhood.'--BOOK JACKET. & nbsp;Read more... wish and Ovid's Fasti -- Elite men, the Roman calendar and hope of mastery -- Ovid, Germanicus and homosocial hope -- Fasti, myth and Janus: an anatomy of libidinal alternate -- per month prefaces and the symbolic display -- lower than the Imperial identify: Augustus and Ovid's 'January' (Fasti, ebook one) -- Patrimony and transvestism in 'February' (Fasti, publication ) -- Epilogue: Ovid and damaged shape: 3 perspectives

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Additional info for Desiring Rome : male subjectivity and reading Ovid's Fasti

Sample text

Oral proclamation “published” the early calendar month by month. A priestly attendant (pontifex minor) had the task of sighting from the Capitoline arx (citadel) the new crescent moon. When it appeared, he was to announce it to the “king” (rex). 19 The king and the pontiff would then sacrifice to Juno Covella (of the hollow of the moon) and announce whether five or seven days would lapse until the Nones. This announcement made the day the “Kalends” (from calo, to call out or declare). The Nones would be the first market day of the month, when the people would go to market and also hear from the rex the rituals of the month.

Identification with the calendar’s synoptic illusion retroactively stabilizes Verrius’ symbolic and imaginary identities, pinning down him and his life-narrative by inscribing him into an ideological order of things, fashioned from the point of calendar creation. Ovid’s unfinished Fasti approaches the calendar and the Real in at least two radically different ways. First, although Ovid inscribes an autobiographical image of himself within the calendar’s symbolic order (as does Verrius’ calendar-monument), he also claims to meet the Real: in addition to uncanny sound-effects and wordplays at the level of poetic texture suggesting the irruption of untoward meaning (chs.

2 But all the remaining fragments, typically of incised marble, represent the Roman calendar year after its reform by Julius Caesar in 46 BCE (Macrob. Sat. 13; Plut. Caes. 5). The vast majority of these are Augustan or Julio-Claudian. Moreover, they were erected for the most part in the public spaces of Italian communities. The discussion here turns to calendars contemporary with Ovid’s Fasti. What were these calendars like? How were they organized? 3 The basic design is that of a list. Tabular columns representing separate months organize symbolic letters to represent days and various civic activities inside the months.

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